Thursday, August 31, 2017

Victorian Hairstyles

Today, our hairstyles come and go, following trends established by the media.  The same held true for Victorian era women.  The methods may have changed, for example, today's tv stars vs. yesterday's stage stars, Glamour magazine vs. Godey's Lady's Book. Hair styled like the Oscar winning actress vs. the traveling Parisian opera singer.

Here is an overview of the most popular hairstyles in the Victorian Era, 1830s to the end of the century.






  
                                                        1830s
In the early 30s, a ridiculous hairstyle known as the Biedermeier was in vogue.  Poofed, braided and towering, with ribbons and flowers to make it even taller.  When Queen Victoria took the throne in 1837, women followed the queen's more dignified style. A center part, smooth sides drawn back and finished with a braided bun in the back.


1840s
The 40s started off much in the same way as the Queen Victoria portrait above, but the sides became looped or smoothed to the jawline, sometimes referred to as dog ears.  By the late 40s, side curls replaced the somewhat severe plaits.



1850s
 The 50s began adding volume to their styles.  Still parted down the middle, the fullness was out to the sides. The back was in a bun or braided.  By the end of the 50s, the fullness moved to the back of the head is a softer chignon. 
 

1860s
The 60s finally brought a soft, feminine and complementary look to styles.   Curls, ringlets and flowers were popular for evening, and daytime style were pretty braids and chignons in the back, with ribbons and lace.  The front was slightly waved.
 














 1870s
The 70s brought an explosion of false hair pieces!  Nothing was to big for some of these ladies.  Hair moved up to the top of the head, with braids and sausage curls cascading down the back.


By the late 70s, those crazy styles calmed down, and as skirts narrowed, so did the hair.  They lost the huge, thick hair hairpieces, and opted for a low chignon in the back or just one or two tasteful long curls, some height on top and the beginning of a curly bang was born.
 

1880s
Hair in the 80s took a very severe turn.  Gone were the huge styles of the 70s, and hair was put up again in the back.  The big change was the new fringe or bangs.  This consisted of a tightly curled or frizzed swatch from ear to ear.  Hair on the sides was pulled back tightly.  It was refined for the evening, with extra braiding, ribbons and flowers, with some smaller curls down the neck.
 














1890s
 The 90s was an era of changes, in lifestyles, clothing, advancement in technology and business.  The 90s woman was heading towards more independence, and it showed in her attitude and appearance.
The Gibson girl was born, confident and often employed.  With her sensible outfit of blouse and skirt, her hair was put up in a looser topknot.  Very soft and full, unlike the severe 80s.  By the turn of the century, the Victorian era was over, and the topknot turned into a full pompadour style, favored by the famous Gibson girls of the time.

 
Submitted by Shenandoah Rose



Monday, July 31, 2017

Victorian Parasols



A parasol is a light, usually small, umbrella that is used as protection from the scorching heat of the sun. The name, parasol comes from its Old Italian French name, parasole, which is derived from the Italian word parare, which means prepare or ward off, and the Latin word, sol, which means sun or sunlight.  Since then, "parasol" has come to denote specifically a shade that protects against the sun, while "umbrella" indicates an item that provides protection from the rain.

By the Victorian era parasols were often larger as they were by then more utilitarian and designed to protect the face from sunburn since a suntan was a common vulgar look for a real gentle lady.

In the 1600s, especially in France and England, parasols were made of the finest French laces and silk and have hand-carved handles that are made of wood or ivory.  Between 1700 and 1800, long-handled lace parasols, probably in gold and silver which were the popular lace colors at such time – became the object of beauty among their kind.  Between 1800 and 1900, small parasols, alongside fringed umbrellas, long-handled or walking-stick lace and silk parasols, and gold-tipped lace umbrellas rose to fame with smaller hats to match.

The history of parasols can be traced back to the 16th century following the arrival of the Chinese silk parasols in Europe in the early 16th century via the Silk Road, probably by means of trading, and the rapid development of lace thereon in the mid-16th century as an openwork fabric sewn from a single thread and needle (needle lace) or with multiple threads (bobbin lace).

Lace parasols have had a long and rich history in Europe, especially during the 1600s and early 1900s. Apparently, it is from these eras, which saw the height of the opulence and elegance in Europe's society, parasols are associated with items of luxury, feminine class, and elegance.

Regardless of their expensive price, women owned lace parasols in different colors to match every outfit – a long dress gown or dress with fitted top and full, heavy skirt, which was the central clothing for women at the time. When riding in a carriage, ladies would make sure that their driver pulls down the carriage's convertible top so her lace parasol is seen.

Parasols from the 1840’s and early 1850’s are somewhat larger, and longer than those of the late ‘50’s and 1860’s. The ribs would be made of cane or baleen, which make them fragile, but our ancestors didn’t throw out their old things; they put them away, and many old parasols have repairs, proving that women took care of their expensive belongings.

The later 1840’s and early ‘50’s, most parasols had folding handles, long slender sticks, silk covers and long silk fringes.  Colors ranged from browns, through greens, and blues, but nearly all dark shades.  Fringes matched or coordinated. Brocades were common, and plain silks with woven satin stripes at the edge we used. There usually was a small ivory cap on the end of the handle, and the finial at the top was often ornately carved, and could be up to 4” of more long.  Typical lengths – including the finial – could be 29 - 34” or even a bit more.

Midway through the ‘50’s, the parasol began to decrease in size.  As the lady’s bonnets became smaller, and closer to her head, the parasol followed suit. Sticks were shorter, and little hooks at the end became common.  Also, brighter colors appeared, and plaids, ikat ribbon types and brocades were popular.  Short fringes were still common, but ruffles, and pinked edges were coming into vogue. In this period you begin to see the tiny finger-sized hook on the end of the handle, and often an ivory ring through the finial. Also available at this time, we begin to see parasols covered in white and other light and bright colors, with hand and machine made black lace overlays.  However they are covered, the overall length is not more than about 26”, with ribs of 8” 11”.

Here parasols start to divide into two groups.  The single most common 1860’s American parasol is a quite simple marquis (tilting) style with a folding handle.  The cover is black, and it is lined most often in black; but sometimes in white, cream or pale pink.  Earliest examples have very plain handles painted black with a ball, onion, lozenge, or plain hook at the end.  As the era progressed, the handles became more ornate, often with intricate carving; but still covered in black.  Many have ruffles around the edge, and some have two or three ruffles, and some have pinked edges.  
 
I have never seen one of this style with fringe.  These seem to have been sold at department stores in major cities so there are many still around.  Frames were sturdy, and ribs were made of steel painted
black.

The other main type of parasols available during this time, is similar in frame, but has brighter silk covers made of taffeta in checks, plaids, and beautifully printed “ribbon” designs. Handles often have that little hook on the end as well.  Many of these seem to have come from France and England where there was no war going on, and no shortages of fabrics

Another type of began to come into vogue just post war as bonnets became tiny and perched atop the 
head.  It has a straight handle, and is very tiny with brightly colored silk covers, and pale silk with lace overlays.  The frames are made of steel, often with brass sticks and chip carved wood handles and finials; or lovely carved ivory or bone handles and finials.  This style can be documented to 1867.

By the mid 1870s, Handles became as long as walking sticks. (See 1875 fashion plate, below) handles continued to stay long into the 1880s and beyond. (See 1882 fashion plate, right).

 Towards the end of the 19th century, shafts grew longer and decoration simpler. The maximum shaft length of up to 45 inches was reached around 1910-1915, when they went up to chest level of an average-height lady of the time. Diameters also grew in proportion. Until well into the 20th century, bent handles as we know them from umbrellas were not used for parasols: Straight handles were predominant and more or less made up the distinction between parasol and umbrella, along with the cover, which tended to be black and undecorated for umbrellas, and the length/diameter ratio, which was about 1/1 for parasols and closer to 1/2 for umbrellas. 


Handles
Carved Ivory, bone, wood
Bejeweled, ornate
Silver, Gold, Mother of pearl 

Type of parasols
Carriage Parasol (folding)
Walking Parasol
Marquis (Tilt & Folding) 






Submitted by Velvet Rose

Saturday, July 1, 2017

Underpinnings for a Victorian Lady



UNDERPINNINGS: 
Building from the inner clothing to achieve the Victorian Silhouette



Undergarments were known as underpinnings.  The definition of underpinnings is a system of support  Underpinnings are the foundation of a house.  In other words, "to build in layers to get the ideal support".

Silhouette
Your silhouette is important to create the general shape or outline of your dress and structure as a refined society lady. Every exquisite gown should have a beautiful set of underpinnings to complete the silhouette of high society. Descriptions of drawers, chemise, petticoat, corset, corset cover, and bustle are enclosed to help you build your foundation.

 


Let's build your look

Drawers:
An undergarment that is usually crotch-less and made of bright white cotton adorned with lace.

Chemise:
Chemise can come in different lengths. The short version to the waist is the most common. Also was worn to the knee or even to the ground (and would have included the Petticoat). Chemise is worn under the corset to help from pitching of the skin and to keep the corset clean from skin residue.


Petticoat:
A slip or underskirt that is often full and trimmed with ruffles and lace (also known as pettiskirt). Usually cotton but also made in wool, flannel and other period fabrics. The proper fit on a petticoat is 2 inches above the length of your skirt as to not show. These can close with a button as well as string tied.


Corset:
The corset is a close-fitting undergarment. It is stiffened with whalebone or metal. It is often capable of being tightened by lacing in the back. Worn by women to show a shape and support of the body. A tiny waist was the utmost in Victorian Fashion!

Corset cover:
It is worn to shield from body oil, perspiration and to prevent the boning of the corset from showing through the clothing. Corsets were an expensive garment to have and corset covers were worn to protect them.




Bustle:
It is a type of frame used to expand the fullness and to support the drapery at the back of the women's dress. First known use was 1786. There are many varieties of a bustle including pads similar to a small pillow, collapsible metal frames, a boned frame-work, etc.

Stockings:
Stockings must always be worn and high up to the knee not to show any part of the skin. Keep the colors soft and if possible coordinate color with your dress or wear neutrals.


 This will complete your Silhouette as a refined, high-society Victorian lady. As a side note, when dressing, put your shoes, stockings and even your hat on before your corset. It’s hard to bend and stretch with a corset on!

Submitted by Margarita Rose